Overall Score 7.6 Represents average audio ecosystem compatibility score.
Overall Score 5.3 Represents average audio ecosystem compatibility score.
Category | Features | HyperX DuoCast | Shure SM7B |
---|---|---|---|
DESIGN | is dynamic type of microphone | ✗ | ✓ |
is condenser type of microphone | ✓ | ✗ | |
has usb connection | ✓ | ✗ | |
has xlr connection | ✗ | ✓ | |
comes with a shock mount | ✓ | ✓ | |
comes with a pop filter | ✓ | ✓ | |
FEATURES | has cardioid pattern | ✓ | ✓ |
has omnidirectional pattern | ✓ | ✗ | |
lowest frequency | 20Hz | 50Hz | |
highest frequency | 20,000Hz | 20,000Hz | |
microphone sensitivity | 501mV/Pa | 1.1mV/Pa | |
EXTRAS | has rgb lighting | ✓ | ✗ |
can tap to mute | ✓ | ✗ | |
headphone output | ✓ | ✗ | |
compatible devices | PS4, PS5, personal computer (PC), and mac. | PC. | |
See price on Amazon | See price on Amazon |
The Shure SM7B being dynamic functions relatively simple like a speaker in reverse, inside a magnetic field is a small coil of wire, that is attached to a diaphragm which moves with the sound vibrations. The coil converts the movement into an electrical energy that can be recorded.
HyperX DuoCast is a condenser mic that works by using charged metal plates instead of a coil and magnets. One metal plate, known as the backplate is fixed, and the other known as the diaphragm is movable, the distance between the two plates changes when sound waves hit the movable plate which produces capacitance
HyperX DuoCast is a USB microphone, such microphones are plug and play and easy to use they are also typically cheaper, and easy to carry. USB mics are great for making podcasts.
If you desire a sound for your podcast, choose an XLR mic such as the Shure SM7B. However, XLR mics can be expensive, less convenient to travel with, and need the purchase of more accessories, they typically produce audio of higher quality than USB microphoneisVersed != true | If you desire a sound for your podcast, choose an XLR mic such as the Shure SM7B. However, XLR mics can be expensive, less convenient to travel with, and need the purchase of more accessories, they typically produce audio of higher quality than USB microphones
The Shure SM7B comes with a shock mount, most condenser mics come with a shock mount, which is circular and uses an elastic suspension that helps reduce vibrations transferred by any contact surfaces that have equipment that could cause audio interference.
Both HyperX DuoCast and Shure SM7B, come with shock mounts, for any studio style microphones regardless of type, should have a shock mount for better possible recording. However, handheld dynamic mics generally don’t need a separate shock mount, as there’s one built-in.
Shure SM7B comes with a pop filter, pop filters are a great tool for upping your audio. These diffuse the pressure of the air coming from certain vocal sounds, e.g., sibilants (s sounds). This helps capture a cleaner recording without annoying “popping” sounds.
Like the Shure SM7B, HyperX DuoCast also comes with a pop filter, typically condenser microphones don't have built-in pop filters like most dynamic mic.
Shure SM7B has the cardioid polar pattern, microphones that use this pattern have a wide on-axis reception area and max rejection at 180° off-axis. This means that this pattern is more directional and sensitive to the front of the microphone in the on-axis position, and reduces in sensitivity towards the sides and a null point in the base of the microphone.
Both HyperX DuoCast and Shure SM7B utilize the cardioid polar pattern, a 1:1 combination of the Omnidirectional and Bidirectional. The combination of these two patterns creates a heart-like (cardio) pattern when plotted on a 360-degree sphere.
The HyperX DuoCast has the omnidirectional polar pattern, which can receive sound from all sides. Omni microphones have an equal sensitivity to sound coming from all sides. You don't need to position them in any specific direction to record the source sound
Shure SM7B has its lowest frequency at 50Hz, a mic that can pick a low frequency below 40Hz is best for snares, and toms, or if you're in search of a bass drum mic.
HyperX DuoCast's lowest frequency is at 20Hz, this implies that
HyperX DuoCast got a lower frequency than the Shure SM7B
Shure SM7B's upper limiting frequency is 20,000Hz, meaning that sound waves at a frequency above 20,000Hz will not be recorded. In an ideal situation, a microphone's frequency response should be a one-to-one reproduction, however, some vibrations are lost along the way and bits of the information never makes it to the final recording.
HyperX DuoCast's highest frequency is at 20,000Hz, this means that
both devices have equal high frequency
Shure SM7B's sensitivity is measured at 1.1mV/Pa, this tells you what the electrical output of a microphone will be for a given acoustic input. The higher the number, the more sensitive the microphone is.
The HyperX DuoCast's sensitivity is 501mV/Pa, which implies that
HyperX DuoCast got a higher sensitivity meaning it will "pick up" quieter sounds than the Shure SM7B,
microphone sensitivity is measurement of a microphone's efficiency as a transducer i.e. how well it converts acoustical energy to electrical energy.
HyperX DuoCast has RGB lighting, there is not much really to add to your recording but primarily for look and feel purposes, adding visual flair to the mic itself.
The HyperX DuoCast has the tap-to-mute feature which allows you to quickly mute the microphone by touching a marked area of the mic. This is useful during situations when you need to have another conversation say with someone in the room that needs not be transmitted.
HyperX DuoCast has a headphone output, this feature allows you to directly monitor the audio signal recorded by the mic in real-time, without any perceptible delay. This is particularly valuable in broadcasting, and live performance scenarios where immediate audio feedback is key.
Shure SM7B is compatible with PC.
HyperX DuoCast can work well with PS4, PS5, personal computer (PC), and mac..