Overall Score 5.3 Represents average audio ecosystem compatibility score.
Overall Score 5.3 Represents average audio ecosystem compatibility score.
Category | Features | Shure SM58 | Shure SM7B |
---|---|---|---|
DESIGN | is dynamic type of microphone | ✓ | ✓ |
has xlr connection | ✓ | ✓ | |
comes with a shock mount | ✓ | ✓ | |
comes with a pop filter | ✓ | ✓ | |
FEATURES | has cardioid pattern | ✓ | ✓ |
lowest frequency | 50Hz | 50Hz | |
highest frequency | 15,000Hz | 20,000Hz | |
microphone sensitivity | 1.6mV/Pa | 1.1mV/Pa | |
EXTRAS | compatible devices | Personal Computer. | PC. |
See price on Amazon | See price on Amazon |
The Shure SM58 being dynamic functions relatively simple like a speaker in reverse, inside a magnetic field is a small coil of wire, that is attached to a diaphragm which moves with the changing sound pressure. The coil converts the movement into an electrical signal that can be recorded.
Both Shure SM7B and Shure SM58 are considered dynamic microphones, these work well in noisy environments. A dynamic mic is not as senstive to sounds that are farther than a few feet away, providing you with natural isolation that can save you from less-than-ideal acoustics.
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The Shure SM58 comes with a shock mount, most condenser microphones include a shock mount, which is circular and uses an elastic suspension that helps reduce vibrations transferred by that can cause audio interference.
Both Shure SM7B and Shure SM58, come with shock mounts, for any studio style microphones regardless of type, whether dynamic, condenser, or ribbon should have a shock mount for the best possible recording. However, handheld dynamic mics generally don’t need a separate shock mount, as there’s one built-in.
Shure SM58 comes with a pop filter, pop filters are a great tool for improving your audio. These diffuse the pressure of the air coming from certain vocal sounds, such as, plosives (p sounds),. This helps capture a clean recording without those ear-piercing exaggerations.
Like the Shure SM58, Shure SM7B also comes with a pop filter, commonly condenser microphones don't have built-in pop filters like most dynamic mic.
Shure SM58 has the cardioid pattern, mics that use this pattern have a wide on-axis receiving area and max rejection at 180° off-axis. To further explain, this pattern is more directional and sensitive to the front of the microphone in the on-axis position, with a decrease in sensitivity in the sides and a null point in the base of the microphone.
Both Shure SM7B and Shure SM58 use the cardioid polar pattern, a 1:1 combination of the Omnidirectional & Bidirectional. The combination creates a heart-like pattern when plotted on a 360-degree sphere.
Shure SM58 has its lowest frequency at 50Hz, a microphone that can pick a low frequency below 50Hz is good for miking, and toms, or if you're looking for a bass drum mic.
Shure SM7B's lowest frequency is at 50Hz, this means that
both devices have equal low frequency
The Shure SM58's upper limiting frequency is 15,000Hz, meaning that sound waves at a frequency above 15,000Hz won't be recorded. In an ideal situation, a mic's frequency response would be a one-to-one reproduction, in reality, some vibrations are lost during the process and some of the information never makes it to the output recording.
Shure SM7B's highest frequency is at 20,000Hz, this means that
Shure SM7B got a higher frequency than the Shure SM58
Shure SM58's sensitivity is measured at 1.6mV/Pa, this tells you what the electrical output of a microphone will be for a given acoustic input. The higher the number, the more sensitive the microphone is.
Shure SM7B's sensitivity is 1.1mV/Pa, which means that
Shure SM58 got a higher sensitivity which means it "picks up" quieter sounds than the Shure SM7B,
microphone sensitivity is a measurement of it's efficiency as a transducer i.e. how good it converts mechanical energy to electrical energy.